VISUAL x MUSIC @ OX-WAREHOUSE
VISUAL x MUSIC @ OX-WAREHOUSE
時間/Time：4/23 20:00(晚上8時正)
地點/ Venue：牛房倉庫 / Ox Warehouse
門票/Ticket: MOP $100
售票點/Ticket Office：牛房倉庫及邊度有書 / Ox Warehouse & Pinto Livros
(牛房之友、邊度有書之友及學生可享MOP$70票價優惠，購票時須出示有效證件)(Special ticket purchase at MOP$70 are open for Friends of Ox Warehouse,Pinto Livros and students .Please present vaild ID during purchase)
現場不設劃位 Seats are not assigned
主辦 / Organizer：婆仔屋藝術空間 / 澳門大學學生會國際電影學會 / 節點文化
協辦 / Co-Organizer：邊度有書 / 拍板視覺藝術團
贊助 / Sponsor﹕教育暨青年局 / 澳門文化局 / 民政總署
海報設計 / Jimi Vong
音樂人介紹：
Kashiwa Daisuke (柏大輔)
http://www.myspace.com/kashiwadaisuke
日本廣島出生。高中時代曾經組過樂團，於04年開始個人創作，在阪本龍一的“RADIO SAKAMOTO”播放作品後，其充滿影像感的聲響呈現引起廣泛關注。05年在德國前衛廠牌[onpa]參與合輯，後在[onpa]發行個人首張專輯《April.#02》。《program music I》是07年在日本著名獨立廠牌noble發表第二張專輯，以日本國寶作家宮澤賢治的《銀河鐵道之夜》與太宰治的《奔跑吧，梅洛斯》作為兩首作品的母題，以其狂暴偏執的密集式拼貼與錯誤美學手段，將長篇室內樂章加以拆解扭曲再重組，呈現氣勢迫人的極速異質聲響世界。在最新作品《5 Dec.》當中，則大量使用人聲採樣與更暴烈的噪音與金屬吉他狂飆，伴隨的是各式電子節奏氛圍，從break core、down tempo、bleep techno到drum n’ bass，卻在往後出現戲劇性轉折，一切噪動回歸平靜的微模電音與鋼琴，柏大輔始終對聲響與留白之間的迷人反差有著異於尋常的狂想，孕育出獨特的金屬美學觀。
Influenced by progressive rock, kashiwa daisuke started composing music as a student.
2004, the artist started his solo activities as kashiwa daisuke and toured Germany in 2005.
2006 saw the release of his first album, “april.#02” by Germany’s onpa label, followed by his remix album, “april.#07” in 2007 with guest remixers such as olive oil, and Takeshi Nishimoto (I’m not a Gun). In August of that year, kashiwa released his second album “program music I” from noble labels. September 2008, kashiwa performed at the outdoor festival, Sense of Wonder.
The sounds of kashiwa daisuke were introduced in RADIO SAKAMOTO, a radio program by Ryuichi Sakamoto as well as in the sunaokuwahara “2006 Autumn/ Winter Collection”, and his music continues to gather news in a range of other areas including TV programs and commercials.
In addition to his own musical activities, the artist provides music to a variety of media and also works as an author, remixer, and mastering engineer.
His new album, “5 Dec.” is scheduled for release in February 2009.
Desktop Error
http://www.myspace.com/desktoperror
來自曼谷的desktop error是當前泰國最具爆炸性的後搖滾樂隊，從早期深受90年代英國另類搖滾影響，及後加入曼谷獨立音樂廠牌SO::ON Dry Flower即展現他們自身獨特樂風，06年出版首張ep《Instinct》，六首曲子滿載厚實吉他音牆與另類搖滾節奏，粗獷活力十足的現場演出迅速吸引曼谷地下搖滾樂迷與媒體注目。09年正式出版首張專輯《Ticket to Home》，一口氣收錄了14首他們的自創曲，首支單曲Took Took Wan (Everyday)即一嗚驚人登上電台排行榜冠軍達三週之久，樂隊吉他手Adisak Poung-ok (Bird)以他廣泛的音樂技能與獨特的音樂品味，甚至加上傳統泰國樂器，讓樂隊的風格得以確立，從泰國民謠、Shoegazing到後搖，一隊拒絕被歸類的強大音樂個體。
Desktop error began as a few high school buddies Tui (Bass), Meng (Drums), Bird (Guitar,keyboard), Op (Guitar) who were inspired by the 90's Brit alternative tunes. The band was completed after Lek (vocals) joined them a few years later.
Desktop error started off their music career by playing indie rock covers at a small pub in downtown called Lullabar (one of few venue where kids can enjoy good live music in Bangkok). They soon decided that playing other people!s songs was not enough for them and began making their own under the name Desktop Error. They came to local indie label SO::ON Dry Flower with their uniquely heavy mind capturing music. Soon they released their debut mini album Instinct in 2006. The album is composed of 6 songs with thick wall of guitar sounds and alternative beats. Their yet rough but energetic live performance gained attention from local music listeners and media.
In 2009, they released long awaited first full album Ticket to Home, they have spent 3 years to compose more than 20 songs and captured 14 of them into this album. Songs become more simple and strong with good melodies. As a result, their first single Took Took Wan (Everyday) stayed number one at radio chart for 3 weeks.
Guitarist Bird's wide musical skill add unique taste to band's music, especially when he play Thai traditional instrument. Album consists variety of music style, from Thai folk to Shoegazer as if they refuse to be categorized in one genre.
Evade
http://www.myspace.com/evademacau
http://www.facebook.com/pages/Evade/37387799734
Evade是來自澳門的電子樂隊，成員包括主音Sonia、結他Brandon和電腦音效的Faye。Evade的音樂充滿甜蜜和夢幻意境，以聲音作媒介，尋找飄渺美感的氛圍。音樂風格深受Electronica、Dream-pop、Shoegazing和Dubstep影響。是現今澳門獨立音樂以及電子音樂領域的代表性聲音。2009年出版了首張唱片“Evade EP”，於香港、台灣、新加坡及日本等各地發售，現正籌備第二張唱片中。
Comfort, like a cat in the sofa. Beauty, like a flower in my/your heart. Happiness, like a bath in the sea. Sadness, like a music in the past...... [The band was formed in Macau on August 2004.]
Whyoceans
http://www.myspace.com/whyoceans
2005年由五位成員組成的WhyOceans，深受著英式迷幻搖滾影響，曲風折衷性遊走於迷幻搖滾及情緒變化強烈的後搖滾之中。樂隊成立後，積極參與及活躍於本地各類型演出，包括「Hush!! Full Band 2007 / 2008 」、Macao Underground series等。08年獲邀參與由佰家音樂有限公司製作的本地搖滾音樂專輯iBands@Macau。09年， 樂隊應澳門大學學生會國際電影學會邀請，聯同廣州的沼澤樂隊，於「After Silence - 默片現場配樂音樂會」為多套美國及西班牙早期默片電影作現場配樂演出。
*節目查詢 / Program inquiry：(853)28 530026
*節目網站 / Program website：http://oxwarehouse.blogspot.com
同場加映﹕
清水宏一(Koichi Shimizu)電影聲音設計工作坊＋專題放映會
http://www.facebook.com/event.php?eid=108638652504386&ref=nf
清水宏一 (Koichi Shimizu)是目前定居曼谷的日本聲音藝術家，以電腦為主要創作工具，創作內容從搖滾、實驗噪音到聲音裝置，並參與創作許多泰國知名廣告與電視配樂，近年來涉足泰國電影配樂與聲響處理更是成績突出，合作者皆為泰國重量級導演，當中包括獲獎連連的《傷心蔚藍海》 (Wonderful Town)（導演Aditya Assarat）、《戀愛症候群》（Syndromes and a Century）(導演Apichatpong Weerasethakul、《暗湧》（Invisible Waves）與《森靈》(Nymph)(導演Pen-Ek Ratanaruang)等，而由其成立的音樂廠牌SO:ON Dry FLOWER更是異軍突起，積極提拔泰國新晉音樂人，成為泰國獨立音樂圈的奇葩。08年進一步成立自己的藝術空間SOL (Space of Liberty)。這次清水宏一將在拍板會址舉行工作坊、專題電影方映會，並將帶同旗下泰國後搖新勢力 Desktop Error來澳演出。
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